了能問答遊戲 (口白篇) - 答案

Q.01
劉美君 - 異鄉邂逅 (1989)
(Dickson、四方格、逍遙侯、黑膠人答對)
作曲 : 陳光榮 作詞 : 周禮茂 編曲 : 陳光榮
曲尾的「I miss you, Mike」,網友四方格說Mike是錄音師,我不知答案,只知當時劉美君在美國懷孕時錄這碟,碟上資料有寫錄音室是The House Of Music Studio, USA,而錄音師名叫Michael Weisinger。


Q.02
曾路得 + 陳小寶 - 快樂時光 (1980)
(Dickson、四方格、anonymous、黑膠人答對)
6 Pair半兩位DJ的生鬼演繹。曾路得後來做了歌唱老師,陳小寶 (或陳少寶) 做了環球唱片高層,舞影行動事件後下台。


Q.03
林憶蓮 + 白嘉倩 - 我沒有恨誰 (白 : 林憶蓮、潘源良) (1993)
(Dickson、black lab答對)
作曲 : Wilson Philips 作詞 : 潘源良 編曲 : 黃偉年
不少人將這段口白和吳倩蓮的劇場版《天下浪子不獨你一人》(劉青雲客串) 搞亂,事實上這首歌先出現,收錄在白嘉倩的《我有我》大碟,一開始的口白錄得很細聲,要推大音量才聽到。


Q.04
軟硬 - 鈴通天地線 (聲音 : 顏聯武) (1993)
(四方格、anonymous答對)
作曲 : Van Rijen Jasper 作詞 : 軟硬 編曲 : Jones Chan
中段玩rap,如劉文娟的「星期六晚望住天花板」《遍霧遍雨的一夜》、林子祥「我一個傻佬走去紅館睇騷」《阿Lam日記》、杜德偉「仲係咪咁鍾意羅拔狄尼路」《影子舞》,演繹聲音都是商台人,如蘭茜等,結尾的是《霎時衝動》顏聯武。


Q.05
夢劇院 - 白河夜船組曲 : 第一部 (河、船、逆流) (1990)
(anonymous答對)
作曲 : 李啟昌 作詞: 夢劇院
仍以夢劇院名義推出的歌曲,但李敏已遠走,剩下劉文娟獨撐,推出新曲加remix《第六感》。《白河夜船》來自日本女作家吉本芭娜娜小說,延續夢劇院的書院女生文藝味。


Q.06
陳慧嫻 - 牆 (1986)
(Dickson、四方格、黑膠人答對)
作曲 : 盧東尼 作詞 : 雨言 編曲 : 盧東尼
《牆》是《花店》續集,開頭的獨白用《花店》襯底,校大音量可以聽到。


Q.07
柏安妮 - 不舉傘的雨天 (1988)
(Dickson、黑膠人答對)
作曲 : Merchant Natalie A. 填詞 : 盧永強
不要和吳夏萍的《尖東海旁》搞亂,那首歌講釣魚0架。


Q.08
漁火閃閃 - 區瑞強 (1979)
(Dickson、四方格答對)
作曲 : D.Blackwell 作詞 : 盧國沾
飾演小娃娃的是不是區瑞強兒子?有待考證。


Q.09
梅艷芳 - 無淚之女 (1987)
(四方格、黑膠人答對)
作曲 : 倫永亮 作詞 : 小美 編曲 : 倫永亮
倫永亮第一首作給梅艷芳的歌,《烈燄紅唇》是第二首。


Q.10
張德蘭 - 默默無言 (獨白 : 倪秉郎) (1983)
(Dickson、anonymous答對)
作曲 : 周啟生 作詞 : 鄭國江
受廣播劇熱潮影響的獨白歌曲,可說是第一代劇場版,和曾路得+俞琤《天各一方》同一代,何嘉麗+鄭丹瑞《無可奉告》是第二代,張麗瑾+鄭丹瑞《留給最愛的說話》是第三代,之後才有90年代的郭靜。

7 comments:

Little Sam said...

夢記名義第七隻碟先係最後一張專輯,碟名就叫《新曲+精選》(!):
http://www.erica-liman.com/paradox7.html

chi said...

這張《新曲+精選》我都有買,好鍾意《今夜為何這麼冷》和《預感》,沒了李敏的劉文娟文筆仍很雅緻。

shangri_la said...

Chi,

I have a question for you. How do you embed a YouTube video into a post in your blog? I guess the the good work on your blog has prompted me to try my hand on one myself.

Thanks in advance

chi said...

Copy and paste the html code of the video on the "Edit Html" page of the Blogger page when u are composing your post.

shangri_la said...

Chi,

Thanks for your help. If you don't mind, I have linked to your blog in a couple of my posts:

http://theidiotsdelight.blogspot.com/2008/06/growing-pain-part-ii.html
http://theidiotsdelight.blogspot.com/2008/06/growing-pain-part-vi.html
http://theidiotsdelight.blogspot.com/2008/06/this-has-concluded-my-growing-pain.html

chi said...

謝謝你的links,看了你的blog,情懷濃烈,流行曲都是我們的成長印證。最驚訝是許冠傑的G-cassette,不知還有沒有其他歌手出過類似的盒帶呢?

shangri_la said...

Chi, thank you for reading my posts. It is good to know that I have at least one audience :-)

I know for sure that Paula Tsui’s first album with Contec, 徐小鳳全新歌集, also had cassette released in the same style as Sam Hui’s 新的開始. At the time Contec was very extravagant in packaging their products. It is hard to describe it since I had already threw it away, the cassette actually came in a box made out of cardboard paper, with the cassette slide in the middle of the box. So the whole package was much bigger than the usual cassette tape. A lot of record stores had to put it on a different counter since it didn’t fit in the regular cabinet (it probably is a marketing strategy)

However, I think shortly after 新的開始 Contec realized that style was over-indulgent, or Sam’s album just didn’t sell enough to cover the cost. All the Contec releases after 新的開始 had gone back to the regular style. That went with the second edition of 徐小鳳全新歌集 and 新的開始 as well.

I don’t know if Contec was the first one to come up with that design. If they were, they didn’t give it a name. So technically Sony was still correct if they said only 憶蓮, 灰色 and 因你別離 had been released in G-cassette. In fact that is a very common tactic of Sony the Japanese electronic company, slightly modifies some existing design and repackages it as their own original.